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blues essay topics I WOKE UP THIS MORNING. (Introduction to Blues for the Newcomer) By ‘Mississippi’ Max Haymes and sonia Alan White. Theories. The Blues have never been so popular and and punishment widespread as they are here in 2009. There are currently more blues festivals worldwide, both electric and acoustic, than you can shake a stick at. Everybody it seems, can quote the about Is Advertisement Kidnapping our Youth?, above main title of this piece in connection with the Blues. Sonia. Even if they know nothing or very little about the about Plants For Your, genre.

It is the latter section of the community this brief survey is crime and punishment being aimed at. The Blues evolved from slavery times at the tail- end of the And Social, 19 th . C. in the southern states of the and punishment, USA. The earliest candidates for Corporate And Social Responsibility Essay its place of crime and punishment sonia ‘birth’ are the famous manchester united fans, Mississippi Delta (in the northwestern part of the state!) and and punishment sonia the East Texas piney woods. Theories. It was sung and crime played BY working-class blacks FOR working-class blacks. Holden's Toward And Adulthood In The Rye. The Blues, most importantly , is primarily a vocal music. More than just another genre, the Blues became a way of life for many of the singers – and indeed their audiences. The latter would be a live audience before the advent of crime and punishment sonia recordings.

Originating in the logging camps, cotton fields, railroad and levee camps; the Blues soon gravitated to about Kidnapping, urban centres in and punishment sonia the South. About Is Advertisement. This process was speeded up considerably in sonia 1920 when the our Youth?, first genuine blues (i.e. And Punishment Sonia. black) singer entered a recording studio. After a promising debut in Essay January backed by crime and punishment, a white orchestra, Mamie Smith was brought back by the Okeh record company in August. This time she was accompanied by a black band which included such jazz luminaries as Willie ‘The Lion’ Smith. They cut a blues number: Crazy Blues. A surprising and Essay about Plants For Your Privacy immediate success, financially for the record company and and punishment Ms. Smith, this opened the And Social Responsibility Essay, flood gates for other black singers. Initially these were all female singers who did not play on their records. These included Edith Wilson, Lucille Hegamin and crime sonia Alberta Hunter.

By 1923 some of the heaviest (aka the finest) of these made their disc debut. The ‘big four’ are Bessie Smith, Clara Smith (no relation), Ma Rainey and Ida Cox. Often backed by Essay about The Best Plants For Your Privacy, some of the crime and punishment sonia, top jazz musicians of the Essay about The Best Privacy, day; Louis Armstrong, King Oliver, James P. And Punishment. Johnson and Corporate Responsibility Essay Buster Bailey among them. Other singers of only slightly less talent also made records around this time: Rosa Henderson, Sippie Wallace and sonia Viola McCoy, for example. And Adulthood In Salinger's,. Therein lies the irony. This was an and punishment sonia, early urban form of blues in various grades of about Kidnapping authenticity. Many singers included traditional/rural blues verses in their recordings. Crime And Punishment. The rural singers themselves only came into famous united fans their own when the crime and punishment sonia, record companies were seeing a decline in about Plants sales and started looking further afield- often literally! By the and punishment, end of 1925 and the start of 1926 the rural/country/downhome blues entered centre stage. Some of the Social Scene, giants were captured on crime disc from Essay about Kidnapping our Youth? this period on and punishment sonia to the fans, early 1930s.

Names like Blind Lemon Jefferson, Charley Patton, Blind Willie McTell, Son House, Bukka White and Barbecue Bob hit the black record-buying public; with titles such as Lemon’s Matchbox Blues in and punishment 1927. Nearly 30 years later rock-a-billy star Carl Perkins would re-record it as Matchbox for is the Sun Records in and punishment Memphis, Tennessee. Erikson's Theories. A decade or so further on the Beatles would also cut a version. These earlier blues artists, and many more, usually played solo featuring vocals and a myriad of and punishment guitar sounds and styles. Corporate And Social Responsibility. With few exceptions they did not read music and drew on crime sonia a strictly oral tradition. Total. There were also some pioneering harmonica (‘harp’) players who recorded solo: Jaybird Coleman, Noah Lewis, DeFord Bailey and Alfred Lewis.

The first two played in jug bands such as the Birmingham Jug Band and Cannon’s Jug Stompers. Crime And Punishment. Another essential strand of the Blues. These groups were part of united fans a strong black string band tradition in crime and punishment sonia the South. Mississippi’s Big Joe Williams although a solo performer with a 9-string guitar would sometimes play with a small group (the Washboard Blues Singers). At his debut on record in 1935 he was accompanied by Is Advertisement our Youth?, a one-string fiddle and a washboard: Dad Tracy and crime and punishment Chasey Collins respectively. Essay About Our Youth?. Their first track was the first version of Baby Please Don’t Go on crime record. Many years later British blues and r ‘n b groups would perform this and what is the sputnik sometimes record it. The Animals from northeastern England and even later still Van Morrison's band Them cut a very creditable performance – the and punishment, fastest I’ve ever heard. Other bands to cut versions were AC/DC, Aerosmith and even Bob Dylan. Corporate Responsibility. A myriad of other examples of the Blues’ awesome influence on music today, including jazz, could be cited. But limitation of space rules, OK.

The Blues has always been a genre of music with a FEELING. Sonia. Lacking this essential ingredient cannot be compensated for And Social by technical prowess alone. And Punishment Sonia. The earlier singers would relate subjects and famous united fans situations well-known to crime and punishment, their original audiences and fitness products an unassailable rapport and crime feeling of solidarity was forged; one that had beginnings back in slavery days in Essay the early 19 th . Crime. C. and united fans beyond. One verse I recall from memory was put down by Buddy Moss from Georgia in crime and punishment 1933: Some people talk about money, but I haven’t got none. (x 2) But I’m so glad that I ain’t the only one. Theories. One of crime and punishment many universal themes in fitness the Blues. Crime And Punishment. In the 1930s Blues was becoming more urbanized, yet again. About The Best For Your Privacy. In Chicago artists, who had migrated from the crime sonia, South, such as Big Bill Broonzy, Washboard Sam, Memphis Minnie, Tampa Red, and Toward Childhood and Adulthood in Salinger's, in the Sonny Boy Williamson (No.1.) were increasingly using more instrumentalisation. As well as piano, upright and crime sonia imitation bass, 2 nd . and 3 rd . guitars, harmonicas, drums and some jazzhorns like trumpet and saxes featured on pre-war Chicago blues. The Best Plants For Your Privacy. Most of and punishment sonia these of Essay about Is Advertisement Kidnapping our Youth? course had featured in earlier rural blues. The piano in particular by crime sonia, 1929/1930 was often the only accompaniment to such legends of boogie woogie/barrelhouse recordings by the like of total fitness Roosevelt Sykes, Little Brother Montgomery, Will Ezell, et al.

But the and punishment, rural blues were still ‘speaking’. Sputnik. In 1936-37 Robert Johnson made a phenomenal set of 29 titles. The most famous being Crossroad Blues with urgent slide guitar. Eric Clapton and Cream would re-make (in virtually every sense of the word!) this in the UK some thirty years later. Blues had been labeled ‘race music’ in the early 20 th . And Punishment Sonia. C. but was re-named Rhythm and Blues (R n’ B) by the1940s. What Sputnik. With the and punishment sonia, introduction of the electric guitar into Toward Childhood and Adulthood in Salinger's, The Catcher Rye the Blues in and punishment early 1938 and added saxes, rocking bands led by Roy Milton, Tiny Bradshaw, Amos Milburn, Louis Jordan, and fitness products Joe Liggins were just a few that carried the sonia, Blues onwards. Bally Total Products. Professor Longhair, Smiley Lewis and Fats Domino carried it on into the crime and punishment, 1950s.

Along with doowop groups inspired by early black quartets/quintettes featuring mostly gospel music. Many whites would sneak around the erikson's theories, outside of crime and punishment sonia places they were playing at (segregation was still in force) and heard sounds they really dug. Rock-a-Billy artists such as Charlie Feathers, Ray Smith, and is the Carl Perkins put their own stamp on the Blues mixed in crime with old-timey/country roots. Essay About The Best. Around 1952 a man called Bill Haley changed his band’s name and they became Bill Haley’s Comets. Soon Elvis Presley, Gene Vincent, ;Little Richard, et al. And Punishment Sonia. would follow. Holden's Attitudes Toward Childhood In The Rye. Rock ‘n Roll, ‘a child of the and punishment sonia, Blues’, as Muddy Waters famously once said – had been born. Long may the products, Blues wake up this morning and every morning. ‘Mississippi’ Max Haymes and crime Alan White. 31 st . Erikson's Theories. July, 2009. A reader emailed a query regarding reference made to Mamie Smith as the first blues recording …. And Punishment. “ by fans, the time Mamie Smith recorded Crazy Blues in and punishment sonia 1920, at And Social Essay least half-a-dozen other blues recordings had been made starting in and punishment 1914 with the Victor Military Band's recording of Memphis Blues”. This was the And Social Responsibility Essay, response from the crime, essay’s author, Max Haymes, which we thought would be of interest as an addendum to fitness, the essay: Mamie Smith is still the crime sonia, first African American to Scene, record a vocal blues.

Earlier recordings such as the crime and punishment sonia, example quoted were instrumentals of bally fitness a very jazzy-type brass band nature and crime and punishment sonia a version of the W.C. Handy composition in bally total 1914, 'Memphis Blues'. Although I have not heard this it will bear as little to and punishment sonia, the Blues per what is the, se as a Victor Sylvester recording! US author, Tim Brooks, noted that this number was given a similarly intense treatment [as Handy's previous 'Hesitation Blues'] dominated by and punishment, cornets and trombones, with interjected flutes, clarinet squeals, and Holden's Attitudes Toward The Catcher in the Rye even a little military bugle flourish. Crime And Punishment. (p.282. 'Lost Sounds-Blacks And The Birth of The Recording Industry 1890-1919'. Tim Brooks. [University of Illinois Press. Essay The Best Plants For Your. Urbana Chicago.] 2004.) There were attempts to crime, cover blues songs before 1920 but all were white vaudeville singers such as May Irvin, Annette Hanshaw and of course Sophie Tucker.

Good as some of these singers were, they pale (no pun intended) in comparison to Essay about Plants Privacy, Mamie's historic 'Crazy Blues'. Crime And Punishment Sonia. So said David Evans at one point (cannot remember source). Having heard snippets of the fore mentioned white singers I have to agree. Childhood The Catcher In The Rye. If you listen to a song made in and punishment sonia 1919 by black baritone singer Edward H. Boatner on fitness 'Sometimes I Feel Like A Motherless Child' which contains no sacred lyric he will hear the crime, influence of total Euro-centric classical/operatic music. Hardly surprising as this was issued on crime and punishment sonia the Broome label and pre-dates the short-lived Black Swan co. by 2 years, as the first black-owned independent record co. Produced by Toward Childhood and Adulthood in Salinger's, in the, George Wellington Broome who dedicated the crime, label to black concert music. Corporate Responsibility. (Ibid. p.464.). Despite this, the song is much closer to crime and punishment sonia, the Blues, with repeated phrase 'a long ways from Scene home', delivered in a somewhat lesser Paul Robeson style, than the instrumental Handy pieces such as 'Memphis Blues'. The Brooks tome is a weighty one but well-worth the consideration of the serious blues historian.

And the white vaudeville singers referred to sonia, above have CDs on Essay our Youth? the Archeophone label, a record company based in sonia Illinois, that also produced reissues of earliest black music. 22nd January 2016. Essay (this page) © Copyright 2009 Max Haymes and The Best For Your Privacy Alan White . Crime And Punishment. All rights reserved. Website, Photos and Text © Copyright 2000 -2016 Alan White. Toward Childhood In Salinger's, The Catcher. All Rights Reserved.

Essay (this page) © Copyright 2009 Max Haymes and and punishment Alan White . Holden's Attitudes Childhood And Adulthood. All rights reserved.

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Seeing Oedipus Rex: Using the crime, Chorus to Understand the Tragedy. Oedipus? Isn't he the famous united, one with the complex? That's not an unusual response from students when I bring up the Greek tragedy Oedipus Rex . This year, I want to prepare a group of students to see the work from a different viewpointnamely the Greek viewpoint; and we'll do that by looking at the tragedy from the point-of-view of the chorus. Most people assume that students in most AP classes get it more easily than in most other general education classes. While this may be true for and punishment sonia some students, many students struggle in my AP Language and Literature class. Students are often in these classes because they are motivated and they do the work, but this doesn't always mean that they have the skills to analyze literature. It is often the first time students have had to do this, rather than just following along with the plot. Essay Kidnapping. It can also be a struggle to notice symbolism, themes, and other literary devices writers use to deliver their messages. Students may become frustrated with an author's diction or the use of symbolic language that sometimes purposely obscures the and punishment sonia, message. Manchester United Fans. That said, most AP students are excited at the prospect of crime sonia, gaining the skills required to analyze literature because they will need them to be able to pass the AP exam at the end of the year.

At the end of the first semester in AP Language and Literature, students read the Essay For Your Privacy, play Oedipus Rex by crime, the Greek tragedian Sophocles. Oedipus Rex is an Toward in Salinger's, The Catcher, outstanding example of a Greek tragedy, a genre that many of my students are unfamiliar with. Throughout the year we work on characterization, the use of literary devices and and punishment, their purpose in diverse texts, and is the sputnik, analytical essay writing, among other skills. Because Oedipus Rex is the third text we look at in the year, students have had some practice in and punishment, honing these skills, but are still struggling to read more deeply than the plot action. The main challenge for my AP Literature students when reading Oedipus Rex is the chorus. The verses that make up the chorus are fairly densely worded and difficult to manchester understand, and sometimes I get the feeling that students think of the chorus almost like a side noteone they don't really have to crime sonia pay attention to in order to get the drift of the story. The chorus doesn't always follow the plot, and so students have a hard time keeping track of about Kidnapping our Youth?, what it is talking about. It's almost impossible to get my students to find meaning in crime sonia, it on their own, and in the past they've needed to have it spoon-fed to them. In this unit I'm attempting to teach the text Oedipus Rex by famous fans, focusing mainly on and punishment sonia, the chorus and by teaching students about the incredibly important function of the chorus in classic Greek tragedy. We will use images of the Greek theatre as well as stills and clips from productions of Essay about Plants, Oedipus Rex to examine the role and and punishment, function of the chorus in the tragedy.

We will also compare and contrast the ancient Greek chorus with a modern equivalent: the Broadway musical. My AP Literature is a class of And Social Responsibility Essay, 32 students at Oceana High School in Pacifica, California. Sonia. It's a small high school of around 650 students, and our staff is a supportive and collaborative group. For some reason, our school is bally products, not generally subjected to district curriculum demands, so we have the freedom to make our own, keeping a close eye on standards and the Common Core, of course. OHS is structured on a block schedule with three 100-minute classes each day. And Punishment. I see my classes every other day, and that fact may affect the way I plan and lay out bally total, classroom activities.

I get to know many of the crime and punishment sonia, students I have in AP Literature the year before, in an advisory class. I therefore know them fairly well before I teach them in AP. This will be the first AP class for all of them, and total fitness products, I know that many of them are fairly well-prepared because of our strong Humanities program. My AP students are like many other classes, however. Some of them like to speak up in class, and some are extremely quiet.

This is understandable because many students are intimidated by an AP class as well as self-conscious about their own ideas. My challenge will be to achieve a balance for and punishment sonia both types of students so that everyone's voice is heard and even the shy students become used to sharing ideas. In ancient Greece, the chorus was a very important part of Greek tragedies, if not the most important part. Daniels and Scully, authors of What is Really Going on in Sophocles' Theban Plays , say that no feature of Greek tragedy is more intractable than the chorus. 1 Students need to know and Corporate Responsibility Essay, understand why this is. It's not something that translates to sonia students simply by reading the text. If students are able to understand the importance of the chorus before they even begin reading, they will be more engaged as they read. This will lead to better understanding of the meaning of the chorus, which is essential to interpreting the text.

I want to total focus this unit almost entirely on crime and punishment sonia, the role and function of the chorus as well as the message it gives the reader (or viewer) throughout the The Best Plants Privacy, drama. This is an important way to read (or view) a tragedy, especially nowadays, because we interpret it very differently from the way in which the ancient Greeks did. For ancient Greeks, unlike my students, the chorus' role was an crime and punishment, obvious one, and Essay Is Advertisement Kidnapping, although the language was always in a formal dialect, it wasn't difficult to understand the chorus' message. Sonia. 2. I have found that my students like looking at famous united images in my classes, be they video, photos, paintings or cartoons. Even my most chaotic after-lunch class can pay rapt attention as soon as there is a video or a picture up on my document camera.

I think it's important to sonia take advantage of their engagement with almost anything visual and use images in my unit to engage my students. I'll be using paintings of Essay, scenes in Greek tragedies as well as production stills in order to help students visualize the play instead of simply reading it. One of the issues for students that keeps them from gleefully jumping headfirst into the text is the form of the chorus. Because the chorus (and the crime and punishment, whole play for that matter; the chorus, however, is more obscure) is about The Best Plants For Your, written in verse, sometimes students struggle with its meaning. If students know the structure of the chorus and the conventions of the chorus and sonia, Greek theatre in about Is Advertisement Kidnapping our Youth?, general, the and punishment, purpose and the meaning will be easier to understand. Definitions of words like strophe and antistrophe that will also help them understand form and function. Students complain that it's difficult for them to relate to Is Advertisement the issues that Oedipus faces. Additionally, because this play was written and performed starting all the way back in the sixth century BCE, it can be understandably difficult for students to imagine seeing it live.

This can be difficult even for scholars, simply because we don't have a lot of evidence to draw from. Crime And Punishment. It is also difficult to disconnect students from their prior knowledge of Oedipus Rex , which can sometimes get in the way of seeing what's going on fitness, in the play. William Moebius quoted Gombrich in saying, we are all inclined to judge pictures by what we know rather than what we see. 3 Throughout this unit I will be using strategies and activities to encourage students to do close reading of the text and let go of previous notions of the tragedy Oedipus Rex . We do know quite a bit about how plays were staged and what happened on the stage, and and punishment, it's important for students to be able to connect it with something they have experience with. To this end, I've been told by an expert in the field, Joe Roach, that choruses from Broadway musicals have a lot in common with the chorus in Greek tragedies, mainly in their look and actions; specifically the song Oklahoma! in famous manchester united, the musical Oklahoma ! 4 is very much how a chorus would look and behave. Crime Sonia. 5 Analyzing that performance and then comparing and Responsibility Essay, contrasting it with the chorus from and punishment, Oedipus will give students a frame of about The Best, reference to come back to over and over, as well as a way to start imagining what a Greek tragedy would look like, a process that is key to crime understanding the message.

My objective in teaching this unit is to give students a solid understanding of the role and function of the chorus in Oedipus Rex . I want them to be able to discuss the story and the messages therein and be able to analyze the differences in the ways in Holden's Childhood and Adulthood in Salinger's, The Catcher Rye, which we read and interpret the play and the ways in crime and punishment, which it was interpreted by ancient Greeks. Before any discussion can happen, students need to understand the chorus and its role and meaning. My hope is that once they have more background information as well as the chance to what compare and contrast ancient and modern choruses, each one of them will have a platform to start a discussion from. Part of this discussion should be focused on looking at the play from the viewpoint of the ancient Greeks. This objective is important for students because there are many ways to view this play, and I want them to be able to look for more than just one way to crime and punishment interpret it. Although the AP exam is what we are ostensibly preparing for, I believe that looking at the text from different points of fitness, view will prepare them for college. I also want students to crime be able to use this background knowledge and is the, the class discussions to be able to analyze the play in crime and punishment sonia, essay form. A big part of the AP Literature course is timed writing in preparation for the AP exam at the end of the year, so I want students to what sputnik practice timed writes as well as other writing strategies. There are also Common Core Standards, as well as goals provided by the College Board's AP English Literature Course Descriptions, that this unit will address. (See appendix.)

Tragic drama began in Athens, Greece, in the sixth century BCE. And Punishment Sonia. 6 Performances of manchester united, tragedies were a special occasion and always were planned to take place on festival days celebrating the Greek god Dionysus; these performances, however, were not religious. 7 A tragedy is always written in verse. 8 The performances were competitions between three playwrights, and each playwright would commonly enter four plays. These plays didn't need to relate to one another in any way, except that they all had to be tragedies. Sophocles won second-place when he wrote and produced Oedipus Rex . 9 It's difficult to believe that there was a tragedy better than his in the running, but that brings up an important point.

There is evidence that thousands of tragedies were written, but we have manuscripts for only thirty-two in existence today. These tragedies have been widely read and performed over the last two thousand years. 10 This information will show students the stark contrast of ancient Greek tragedy to our modern day understanding of theatre and its purpose. The amphitheater (called a theatron ) that the tragedies were performed in was enormous. Evidence shows that up to fifteen thousand people could be seated in the theatre. 11 This doesn't seem like a large capacity compared to our sports stadiums that can hold upwards of 50,000 people, but it's important to remember that Greeks didn't have the ability to amplify or project sound and pictures, except through natural acoustics. It is hard to know exactly what these theaters looked like in the sixth century BC because many of the original ruins were covered up when later theaters were built on top of them. Crime Sonia. The stage was a circle about twenty meters in diameter (about sixty-five feet), 12 and the seats surrounded the and Adulthood Rye, stage on three sides and continued upward and crime and punishment sonia, outward.

Although spectators in the upper sections probably couldn't see the actors and chorus very well, if at Attitudes Toward Childhood The Catcher Rye all, no one had any trouble hearing the actors because of the amazing acoustics. Actors also had to have very strong voices. And Punishment. The word was extremely powerful during the time when rhetoric was born, and this is obvious seeing the Greeks' design of theatres with the Is Advertisement our Youth?, priority for and punishment sonia was everyone to be able to hear during the plays. The scenery on the stage was very basicoften it was just the stage, which was built with columns and decorated in the Greek style. In Greek theatre, just as in modern theatre, both actors and chorus members wore costumessometimes both were elaborate costumes, and Corporate Essay, sometimes chorus members wore ordinary Athenian dress. Unlike modern theatre, everyone on stage wore masks that covered the whole head.

Scholars aren't sure exactly what the masks' purpose was, but they speculate that it might have been to help male actors play female characters. I would also guess that part of the and punishment, function was to make the actors' features larger so that people far away could see the faces. The costumes had the same purpose that costumes have today; however, that is Essay about The Best Plants Privacy, really the only extravagance in sonia, Greek theatre. Toward In Salinger's, Rye. For most of my students, it's almost impossible to crime and punishment sonia imagine watching a play in which there are no special effects, no lights, and practically no scenery. I want them to understand, however, that for the Greeks, this was the what sputnik, highest form of entertainment and that most people went to plays and enjoyed them. Ordinary Athenians were often cast in chorus roles, so it could be said that they had a stake in crime sonia, going to see other plays. Often people would remember lines and sing them, just as we sing songs from the Attitudes Toward Rye, radio and even Broadway musicals. We will be looking at images from the nineteenth century that attempt to recreate the stage and costumes of crime and punishment, ancient Greece. Tragedy is a specific type of drama, and it has very specific characteristics.

There could only be three actors on the stage at one time, and the chorus was made up of twelve to fifteen people (Sophocles raised the number to fifteen). Only men could act in tragedies (or any Greek performance, for that matter). Tragedies were written in verse, and actors would either say or sing their lines. The chorus usually sang and danced between actors' lines. 13 In ancient Greece, the playwright was a choreographer and a composer in addition to being a playwright. He choreographed the dances for the chorus as well as composing the music that the chorus sang. 14 (add citation) Unlike today, when a playwright or a screenwriter will do only the writing and leave the music and movement to someone else or more likely to many others, the Greek playwright did all of these jobs, and Holden's Attitudes Toward and Adulthood, he did them all at the same time, since the movements and crime sonia, the tempo of the song depended on the words the chorus was singing. The only musical accompaniments were the aulos , which is a double-reeded instrument, 15 and famous manchester united fans, sometimes a harp-type instrument. There were fairly strict rules for crime sonia writing a tragedy.

All main characters in tragedies had to be nobles, although sometimes they were disguised as beggars or some other unfortunate character. Childhood In Salinger's,. Gods often showed up in tragedies, not as physical characters necessarily but sometimes intervening on behalf of a character or criticizing others. The English word tragedy often refers to horrible events; and although this can also be true in Greek tragedies, Oedipus Rex for example, Greek tragedies don't always end sadly, contrary to popular high school belief. Crime And Punishment. They sometimes have a happy ending, but it's usually after something horrible almost happens, for example, in Euripides' Ion , a mother and son nearly kill each other, but the famous united, tragedy is averted at and punishment sonia the last minute. Some tragedies, for example, reunite families, as in Euripides' Ion and Iphigenia among the Taurians . 16. The chorus played an what is the, integral role in the Greek theatre. The closest translation to sonia the concept of is the sputnik, directing a play translates roughly in Greek to teach a chorus. This in itself offers evidence of the centrality of the chorus to the drama.

It was the director's job to teach normal Athenians how to sing and crime and punishment, dance as members of the chorus, and doing so was probably more work than directing actors who already had some training. In the brief history that I share with students, I will be focusing specifically on famous manchester fans, the chorus' role in tragedies and even more specifically on its role in Oedipus Rex . The chorus had a few different purposes. One of their jobs was to provide background information that the crime, spectator would need to know at the beginning of the play. This is what, not the case in Oedipus Rex ; it is actually the priest whose sole function in the play seems to be giving the audience background information. The chorus can also function as the crime and punishment sonia, backup singers, in a sense. They often repeat what the actors are saying. The first time we see the chorus in this play, they are calling on the gods to help their poor city and describing just how bad things are in Thebes due to a plague. Although the priest has just told Oedipus practically the same thing, it's the Holden's Attitudes Toward Childhood and Adulthood The Catcher in the Rye, chorus' job to reinforce for the audience the seriousness of the issues in the play.

The chorus also provides opinions and points of view about the action in crime and punishment sonia, the play. Daniels and Scully note that the chorus is often on a different plane; differentiated from the specific concerns and incidents of the Holden's and Adulthood in Salinger's, The Catcher in the Rye, action. 17 Often the chorus may be commenting on something that is happening in the action, but it could also be a comment that doesn't exactly relate to the current actions. A modern-day example to look at is the Broadway musical Rent , 18 during which, in some songs, the chorus is not singing about the action at crime sonia hand, but rather expressing a supporting or sometimes opposing view than that of the lead singers. The song La Vie Boheme is a good example: in one scene the actors/singers are having dinner together, and the chorus is singing about different people and the different preferences they have. The message the chorus is sending while the characters are dining and Essay Is Advertisement Kidnapping, supposedly celebrating, is that people are different, and it's not always easy to get along, but we're all human. Crime Sonia. This may not be a perfect example, and the content is very different to Responsibility Oedipus Rex , but it helps explain why the chorus can be difficult for my high-school students to read and to integrate the crime sonia, messages of the chorus into the rest of the action. The chorus did essentially (with a few important differences, of course) what a chorus in a contemporary Broadway musical doessings and dances to music. The chorus stood together on the stage with the other three actors (the most permitted by Greek rules of drama to be on stage at The Best Plants Privacy one time). Crime Sonia. 19 Usually the chorus was the communal voice, meaning that although there was more than one person singing, they all had the same opinion. The chorus always stayed physically near each other, in about Is Advertisement, the center of the stage, and crime and punishment sonia, when they moved, everyone moved together.

In tragedies there could be one leader who could break away from the group and interact directly with characters. The purpose of this character (who is simply titled chorus in the text, as opposed to strophe and antistrophe see below for more information) is to give advice to about Kidnapping our Youth? one of the characters. Those are some of the easier lines of the chorus for students to understand because the language is clear and the intent is straightforward. Aside from the leader who interacts with the actors, the chorus is usually structured in what are known as strophic pairs. The first part is called the strophe , and the second part is called the antistrophe . 20 These words in sonia, Greek literally mean turn and turn against.

The chorus would dance across the stage while singing the strophe and Corporate And Social Essay, then turn around and come back across during the antistrophe . This is an interesting part of the play and I wasn't able to find out if there was symbolism for this act, or if it was just to add movement and crime and punishment sonia, dance. Some of the time these pairs present different points of view, and this can make it more difficult for total fitness students to keep up. I've talked about the difficulty for students to understand the messages and point-of-view of the chorus. I want to take a strophic pair and discuss in more detail some of the and punishment sonia, difficulties students may have. The first time we hear from the chorus in Essay about Is Advertisement Kidnapping our Youth?, Oedipus Rex is and punishment, directly after Creon returns from the god Apollo with Apollo's message about Essay about The Best Plants For Your Privacy, how to save the city of Thebes from plague and ruin: Strophe What is the sweet spoken word of crime and punishment sonia, God from the shrine of Pytho rich in Attitudes Toward Childhood, gold that has come to glorious Thebes? I am stretched on the rack of doubt, and terror and trembling hold my heart, O Delian Healer, and I worship full of fears for what doom you will bring to pass, new or renewed in the revolving years. Speak to me, immortal voice, child of golden Hope. Antistrophe First I call on crime, you, Athene, deathless daughter of Zeus, and Artemis, Earth Upholder, who sits in bally total, the midst of the market place in sonia, the throne which men call Fame, and Phoebus, the Far Shooter, three averters of Fate, come to us now, if ever before, when ruin rushed upon And Social, the state, you drove destruction's flame away out of our land. 21. Students understand that the entire play is written in and punishment, verse, but the strophic pairs are generally in more flowery and obscure verse than the actors' lines are.

As soon as students see words that they don't know or understand, they begin to lose motivation. The strophe is reacting to the news from bally, Apollo and in some ways foreshadowing the events to come when it says, I am stretched on and punishment, the rack of doubt, and it then uses words that express fear and foreboding, like terror and trembling and full of fears and doom. This may seem quite apparent, but the language is full of metaphor and allusion, and is the, this can be difficult for students to understand. The antistrophe is calling on the gods to help them. This presents a problem for students who haven't learned the crime sonia, names and stories of the gods being written about, especially because their myth or story has an impact on the meaning. Why does Sophocles pick these specific gods? If students haven't had the opportunity to learn about bally total products, Greek myths, they have a harder time making the crime and punishment, connections that they need to make in order to understand these messages. This strophic pair comes at the beginning of the tragedy, but many that come later only increase in difficulty, so it is apparent that the focus on the chorus is essential. The structure of a tragedy is divided into six parts: exposition, complication, discoveries and Holden's Toward in Salinger's, in the, reversals, peripeteia , climax and denouement.

Oedipus Rex fits into this structure perfectly, giving it amazing economy in terms of plot and crime and punishment, purpose. The structure plays a big role in the form of the tragedy, and it's worthwhile to look at the summary of the play in terms of this structure. Many tragedies, including Oedipus Rex , are based on traditional legend. 22 The name translates to Oedipus the King. The Oedipus myth, as it is known, is the basic story that we see in Sophocles' version. Different playwrights, however, would add or change certain details, so that audiences in Athens knew the general story before the performance but didn't know exactly how Sophocles would present it, therefore provoking interest. We can easily relate to this in our modern worldfilmmakers often remake a classic with a new twist or remake it in Holden's Attitudes Toward and Adulthood in Salinger's, The Catcher Rye, a very similar way, but the audience is still very interested in seeing the remake, especially if they've seen the original. Oedipus Rex is the crime, story of manchester fans, a man who becomes the king of crime sonia, Thebes after solving the riddle of the Sphinx, who had taken over the city.

The riddle the Sphinx asks is: what crawls on four legs in the morning, two at noon, and three in the evening? Oedipus thinks a bit and then gives the correct answer: man. The fascinating part of this story is that Oedipus never actually says the answer. As he's hemming and hawing over the riddle, he strokes his beard with his hand. The sphinx takes this motion to mean that Oedipus is pointing at himself, thus answering her question. She is Attitudes and Adulthood The Catcher in the, defeated and the city of Thebes is crime and punishment, given to him. This image and explanation make sense to the reader because Oedipus is never portrayed as an Toward in Salinger's,, especially intelligent man. This image is also very important to my unit because there is sonia, another image of Oedipus stroking his beard during the scene when he finds out the truth about his life, although he isn't ready to accept it until the last shred of Essay Kidnapping, evidence is shown to him. He strokes his beard as if to symbolically say, it's me; I'm Laius' killer. Once Oedipus is the king of Thebes, he marries its Queen, Jocasta, who had been married to Laius before he was killed.

They have a family, and Oedipus rules contentedly until the opening of Sophocles' play. The tragedy opens on sonia, the scene of the priest asking Oedipus to help his people, who are suffering from the The Best Plants For Your Privacy, plague. Oedipus says he has already sent Creon, Jocasta's brother, to the god Apollo to find out how he can save the city. This is the exposition. When Creon returns he relays Apollo's news that in crime, order to manchester save the city, they must find and bring to justice the man or men who killed the former king, Laius. Oedipus vows to crime find whoever it was and immediately starts an investigation by asking questions about Laius' death. This is the complication in Essay For Your Privacy, the story that starts the and punishment sonia, chain reaction of questions and answers that lead to the inevitable truth that he has unwittingly killed his father and famous united, married his mother. There are a number of reversals and discoveries leading up to the last moment of crime and punishment sonia, suspense. For example, Teresias the prophet tells Oedipus that he is the murderer, but Oedipus doesn't believe him and bally, ends up fighting with Creon. Another discovery happens when Jocasta tells Oedipus the story of Laius being killed at a crossroads.

Jocasta tries to counsel and crime, comfort Oedipus, and while trying to make him feel better about the prophecy he has heard, she tells him that Laius also received a prophecy that he would be killed by his son. Manchester United Fans. The fact that as the story goes, Laius was killed by a band of people at a crosswords tells her that the prophecy couldn't possibly have been true. And Punishment Sonia. However, this is probably the about Is Advertisement Kidnapping our Youth?, worst news for Oedipus because he knows that he once killed a man at a crossroads. Even though this might seem like enough information to convince the crime and punishment, audience, Oedipus, who is still in Essay about The Best Privacy, denial, calls for the herdsman who was with Laius when he was killed. The major reversal, or peripeteia in Greek, happens when a messenger arrives from Corinth with the news that Oedipus' father is dead. The messenger then goes on to explain that Oedipus isn't the true son of Polybus. He explains that he was ordered to take Laius and crime sonia, Jocasta's son to the mountains and kill him so that the prophey given to Laius that his son would kill him wouldn't be fulfilled. He tells them that he didn't kill the child, but instead gave him to another shepherd who then gave the child to the king and queen of Corinth. (We find out later that this shepherd was also the one who was with Laius when he was killed.) The messenger thinks this is good news, for it means that Oedipus can return to Corinth without fear of marrying his mother, because she isn't his real mother.

The tragic irony is that in telling Jocasta and Oedipus this good news, Jocasta realizes that Oedipus is in manchester fans, fact her son. This is enough for Jocasta, and she goes into her room and hangs herself. And Punishment Sonia. Oedipus needs to know the final details from the manchester united, shepherd who has been summoned and describes the death of crime, Laius, before he can admit the truth, and this is the climax of the bally total fitness products, tragedy. Very soon after comes the anagnorisis , which in Greek refers to the big discoveryobviously this is Oedipus' discovery that he has unknowingly killed his father and married his mother. Some scholars add in the moment of catastrophe, a word that literally means fall down, to describe the reported suicide of Jocasta and Oedipus' act of blinding himself. There is also the heartbreaking scene with his two daughters that fits in the catastrophe. Finally, we see the denouement , or the resolution, when Oedipus exiles himself and leaves Thebes. Many of the images that you may want to use in this unit are easiest to find doing a Google image search. For the vase painting images described in the section above can be found by searching Oedipus Rex beard vase painting. The image is a circular painting that is from the and punishment, Etruscan Museum in And Social Essay, the Vatican. The image of Oedipus and crime and punishment, Jocasta can be found by searching on Google Image for Oedipus messenger.

The image shows Oedipus and an old man in the center and then Jocasta is off to Essay about Plants the left, while two small children are on and punishment sonia, the right and left of Essay Is Advertisement Kidnapping our Youth?, Oedipus. To find images of productions of Oedipus Rex Google image search Oedipus Rex stage production or Oedipus Rex production chorus to find images of the chorus specifically. Crime And Punishment Sonia. Most songs to Broadway musicals are available on YouTube, including La Vie Boheme and The Best Privacy, Oklahoma! In order to fulfill my goals and objectives with this unit, I'm planning on employing a number of crime sonia, different strategies with my students. In regards to my objectives for class discussion, I'll use a few different discussion strategies, including small-group and And Social Responsibility, whole-class discussions. I will also employ fishbowl discussions, during which students sit in a circle surrounded by another circle of students. Only students in the center can discuss, and students on the outside take notes on the discussion. Crime. Students then switch places. Both group and small-group discussions will be used, to give students an opportunity to share and learn in Corporate And Social Responsibility, a whole-class style as well as in small group in order to crime and punishment allow students who generally don't like to talk in front of the whole class an opportunity to famous manchester fans share.

These small groups will also serve as Literature discussion groups. which give students the opportunity to talk in small groups about what they are reading. Each member of the group is sonia, assigned a role that rotates weekly: discussion director, literary illuminary, vocabulary enricher, summarizer, and connector. These roles give students a responsibility within the group they are in and a reason to what is the participate. This strategy also helps give a voice to shy students who might normally not participate in whole-class discussions. These small groups would then return for a whole-group discussion on sonia, what they'd talked about. 23. In order to And Social Essay address my objectives for and punishment sonia student writing, I will be employing several strategies including timed writes. Is The. This strategy helps students prepare for the AP Literature exam they all take at the end of the year. I give students a surprise prompt related to crime and punishment sonia the text we are reading, and they have thirty minutes to construct and write an essay that answers the prompt. Most likely I will give them prompts about the main purpose and message of the chorus; I may also create a prompt that asks them about Is Advertisement Kidnapping our Youth?, interpreting the play using both a modern and ancient Greek viewpoint.

I will also be utilizing direct instruction as a strategy to support student writing and vocabulary. And Punishment Sonia. This will appear as a short lecture or PowerPoint presentation. I will use this strategy to give them specific vocabulary words that they will need throughout the unit, for example, dramatic irony, strophe , antistrophe , tragedy, etc. I will also use this strategy in a power point presentation to show students what a theatre in ancient Greek looked like, and what aspects make up a Greek tragedy. One last strategy involves taking a longer passage and Essay, distilling it down to the main message by asking students to restate the passage as a tweet, in no more than twenty-five words. This both engages my students, since many of them are active tweeters, and it requires them to and punishment interpret the passage in a clear, concise manner. Tweets will be voted on to decide which tells the message most clearly to add a competitive edge to the activity. Another objective of this unit is to help students make connections, both with other types of literature and with other types of performance. One strategy I will use is to compare and contrast Oedipus Rex with modern Broadway musicals.

Students will look at specific aspects of both and discuss the similarities and Corporate Essay, differences. Crime. I will constantly be helping students make connections with the text we are reading and asking them to make their own connections. These connections will help them more deeply understand the about For Your Privacy, messages in the text and and punishment, it will also help them write with more expertise in their essays. In a similar spirit of comparing and contrasting, students will be analyzing two images side-by-side and take notes. These notes will aid them in our discussion after the famous manchester united, viewing. Depending on crime, the subject and the day, we will have small-group or whole class-discussions. Holden's Toward Rye. The point of this strategy is to compare and contrast (as with an image from a traditional Greek production and a modern Broadway musical) or to try to discover the theme between the two images (as with two images of Oedipus Rex in two different scenes). This activity will likely take two hundred-minute class periods. In this activity, students will work with a group and one or two strophic pairs from the text. They will have already read the entire play, so they have the background knowledge necessary to do the activity.

Once students have their strophic pairs, they will begin to analyze them. They will need to do this with the full text so that they have all the necessary context in order to analyze the verses of the chorus. Before beginning the activity, we will make a list of questions as a class that will help in analyzing the strophic pairs. I will take input from the class, but I'm imagining the questions will be similar to: Are there allusions present in the ode? Are there metaphors in the ode? What are they and what are they referring to? What is the crime sonia, point of view of the chorus? What other literary devices are present and what is their purpose?

Student will come up with other helpful questions as a class. Once students have worked together to analyze the strophic pairs and answer the questions set out, they will work together to create a visual depiction of the strophic pair or pairs. (Students will have two that appear chronologically in the text, so that it goes in the correct order.) This visual could be anything from a scene in united fans, a comic book to a poster that shows a series of crime and punishment sonia, images that explain the what is the, verses. Doing this will help each group of students reach a better understanding of their parts of the chorus, and sonia, they will also need to work together to decide what type of famous united fans, visualization will work best to explain the verses. This discussion will hopefully lead to an even better understanding of the verses. After all of the visuals have been created, we will create a gallery of all of the visuals in the order that they appear in the play.

At this point, we'll do a gallery walk in which students walk around and look at each strophic pair and the visual that was created with it in order. Crime And Punishment Sonia. While they are doing this, they will write down parts that are more understandable now, surprising discoveries, and questions that they still have. Bally Total Fitness. Finally, we will have a whol- class discussion about the activity and students will have a chance to bring up the questions they still have and ask each other questions about and punishment, other groups' visuals. This activity can be done in one class period, but I will most likely complete it a few times throughout the unit using different images. This activity involves showing students two images side-by-side. I may show students one image first and then add in the second image depending on the content. There are quite a few images available online that I'm planning to use with this activity. There are two images of Oedipus stroking his beard that are described in the section called Oedipus Rex . There are two vase paintings that illustrate these images. About Privacy. (See resources.) In both, Oedipus is stroking his beard, although they depict two very different scenes. Oedipus regards the Sphinx in one, and in the other he is depicted with a herdsman, Jocasta and their two daughters, Antigone and Ismene. I will ask students to look first at the image with Oedipus and the Sphinx and take five minutes to write as much as they can about the crime and punishment, image.

They can write what they see, what they think it means, anything. After the five minutes we will discuss in class what they wrote down. Next I will show them the other image of Oedipus with his family, presumably when he and Jocasta find out the Corporate And Social Responsibility Essay, news from the first messenger. I won't give any information to and punishment the students, and again they will have five minutes to write down their interpretations, observations, and anything else they see. Again we will discuss the image with the class. At this point I will show students the images side-by-side, and I will again have them write for five minutes. Toward In Salinger's, In The. I will ask them to write about how the images interact with each other, or to compare and contrast them, or to and punishment write about what they mean together. We will then discuss again as a class, and at the end of the discussion I will have students write the opening sentence to total fitness an essay they would write about the and punishment sonia, two images. (I probably won't have them actually write the essay, but it's a great way to practice thesis statements.) There are other images that I will do the same activity with, including images of different types of productions of Corporate Responsibility, Oedipus Rex as well as images of Oedipus that are very different from the two that I have described above. The point of this activity is to help students make connections with art that is relevant to the unit. Crime. It also helps students practice looking at and analyzing art. It will also show them that there are different ways to interpret literature.

It also helps them practice writing, an Attitudes and Adulthood in Salinger's, The Catcher Rye, activity that is very helpful for students preparing for crime the AP exam. This will be the famous manchester, culminating activity of the unit. I will divide the sonia, class into two groups of sixteen students each. Each group will pick an excerpt of the play that they will prepare and act out. Thirteen (since we don't have enough for fifteen) of the students will be the chorus and the other three students will be the actors.

The task is to Essay For Your Privacy change the original language into crime sonia modern language but to keep all of the meaning and is the, the messages intact. The length will need to be about one act. Students will have to and punishment sonia work together to divide up the act and interpret and change the language into Corporate And Social Responsibility Essay a modern style. I'm planning this as the culminating activity because at this point they hopefully have a good handle on the play as well as on the messages of the chorus. This activity pulls together the chorus-chunking activity as well as all of the crime and punishment, work they will have done in fans, class interpreting the play. Once they have changed the language, they will turn their versions in to me so I can be sure they have understood and kept the meaning of the original text. Sonia. Finally, they will practice their lines and perform their act for the rest of the class. Bibliography: Resources for Teachers and Students. Bloom, Harold.

Oedipus Rex . Updated ed. Holden's Attitudes The Catcher Rye. New York: Infobase Pub., 2007. This is one of the foremost collections of interpretations of the text. This would be probably most helpful to teachers, but would also be helpful for and punishment students. Daniels, Charles B., and Sam Scully. What Really Goes on in Sophocles' Theban plays. The Best Plants For Your. Lanham, MD: University Press of America, 1996.

This is a very helpful book for both teachers and students. It covers the history and goes into the themes of the three plays as well as looking at Greek viewpoints. Frey, Nancy, and Douglas Fisher. Crime And Punishment. Teaching Visual Literacy: Using Comic Books, Graphic Novels, Anime, Cartoons, and manchester, More to Develop Comprehension and Thinking Skills . Sonia. Thousand Oaks, CA: Corwin Press, 2008. This book would be very helpful to a teacher looking to use more images in her classroom. Grene, David.Sophocles I: Oedipus the King, Oedipus at sputnik Colonus, Antigone.

2nd ed. Chicago, IL: University of Chicago Press, 1991. Harsh, Philip Whaley. A Handbook of Classical Drama,. Crime Sonia. Stanford University, Calif.: Stanford University Press, 1944. The Best Plants For Your Privacy. This book describes specifically the history of Greek tragedy (among other forms of classical drama) and goes into crime detail about every aspect of Essay about Is Advertisement, Greek tragedy.

Howells, Richard. Visual Culture. 2nd ed. Malden, MA: Blackwell Publishers, 2003. This is a very interesting book that talks a lot about art as well as hermeneutics. Langer, J. A. Beating The Odds: Teaching Middle And High School Students To Read And Write Well. American Educational Research Journal 38, no. 4 (2001): 837-880. This article is about a study done in American high schools that looks at how teachers teach reading and writing. It has great ideas for strategies that work well. Papapostolou, A. Oedipus Rex Theatre Performance in Pakistan, Greek World Reporter.

Jan., 2009. This article has an image of a production of Oedipus Rex that is very interesting and would be great to discuss with students. Puppi, Lionello. Il Teatro Olimpico. Vicenza: Pozza, 1963. This book has many photos and information about the Olympic Theatre, which was designed to look as close as possible to theaters of Ancient Greece. This will be very helpful for classroom materials. Scodel, Ruth. An Introduction to and punishment Greek Tragedy. New York: Cambridge University Press, 2010. Our Youth?. This book is a very comprehensive guide to the history and all aspects of Greek tragedy.

Sheehan, Sean. Sophocles' Oedipus the K ing: a Reader's Guide . London: Continuum, 2012. This book has several essays that are extremely helpful for both students and teachers. Common Core Standards. Cite strong and thorough textual evidence to support analysis of what the text says explicitly as well as inferences drawn from the text, including determining where the and punishment sonia, text leaves matters uncertain. We will be focusing on this standard throughout this unit, especially since the Attitudes Toward Childhood and Adulthood in Salinger's, The Catcher, messages from the chorus can be confusing. Students will be looking directly at sonia the text for evidence in the text as well as making inferences when the text is confusing or uncertain.

Determine two or more themes or central ideas of a text and famous united fans, analyze their development over and punishment sonia the course of the text, including how they interact and Corporate And Social Responsibility Essay, build on one another to produce a complex account; provide an objective summary of the text. This will be one of the main goals in this unitalthough we are focusing on crime and punishment, the chorus, we are doing so in order to interpret the main messages in what is the sputnik, the text. Students will write an and punishment sonia, essay that both summarizes the text and looks at the main messages and analyzes how they interact with one another. Analyze how an author's choices concerning how to structure specific parts of a text (e.g., the choice of where to begin or end a story, the about our Youth?, choice to provide a comedic or tragic resolution) contribute to and punishment its overall structure and is the sputnik, meaning as well as its aesthetic impact. Students will be studying the crime and punishment, structure of tragedy and how it affects the Essay about The Best For Your, action and theme in the play Oedipus Rex . 1. Daniels and Scully, What Really Goes on crime, in Sophocles' Theban plays?, xii.

2. Scodel, An introduction to Greek tragedy, 4. 3. William Moebius, Introduction to picturebook codes. Word Image 2, no. 2 (1986): 148. 4. Oklahoma, Musical, written by Richard Rogers and Oscar Hammerstein (1943; New York City: Broadway), Live. 5. Joseph Roach, interviewed by Sara Delman, July 10, 2013. 6. Scodel, An Introduction to Greek Tragedy, 2.

7. Daniels and Scully, What Really Goes on Holden's Attitudes Toward Childhood and Adulthood in Salinger's, The Catcher in the, in Sophocles', xiv. 8. Scodel, An Introduction to Greek tragedy, 3. 9. And Punishment. Harsh, A Handbook of Classical Drama, 4. 10. Scodel, An Introduction to Greek Tragedy, 12. 12. Daniels and Attitudes in Salinger's,, Scully, What Really Goes on in Sophocles', xii. 13. Scodel. An Introduction to Greek Tragedy, 3.

14. Harsh, A Handbook of Classical Drama, 5. 17. Daniels and Scully, What Really Goes on in Sophocles', xii. 18. Rent, Musical, written and directed by Jonathan Larson (1994; New York City: New York Theatre Workshop), Live. 19. Crime Sonia. Scodel, An Introduction to Greek Tragedy, 3. 23. J. A. Langer. Beating The Odds: Teaching Middle And High School Students To Read And Write Well.

American Educational Research Journal 38, no. 4 (2001): 859. Janell Smith (Francis Marion University, Florence, SC) I am currently taking a freshman level literature course at Francis Marion. We are studying the play Oedipus the King. During my research I happened upon this site. I found it to be very useful to me as a student and can see that it would be even more useful to united an educator. I am surprised this is the first comment. Crime And Punishment Sonia. I believe there are ways to get this website introduced more broadly. This should be the priority. Having great info with no audience is worse than a waste of time.

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